Richard Williams takes as his starting point the making of Kind of Blue, Davis's most celebrated album, and shows how movements in art, philosophy and music fed into this meditative, melancholy masterpiece, first released in The haunting palettes of Picasso, Matisse and Yves Klein influenced the mood of a culture that valued the colour blue so highly; and the blues, mediated by jazz and other kinds of music, had become the sound that signified 'coolness'.
Williams tells the story of album's creation in miraculously few hours in a converted Manhattan church and elegantly sketches the roles of the other five musicians who played on the recording.
The Allman Brothers reworked passages from Kind of Blue in their long improvised jams; and the Grateful Dead's extended concert performances owed much to that strain of jazz. Richard Williams traces the echoes of Davis's creation in the enduring success of the German ECM label, whose reverberant, brooding sound has defined the work of Keith Jarrett, Chick Corea and Jan Garbarek, and in the static, minimalist music of bands such as Supersilent and The Necks.
In the early spring of , six musicians went into the 30th Street Studio in New York. Nine hours later, they had recorded one of the finest albums of the twentieth century. Kind of Blue traces Miles Davis's development into an artist capable of making such a masterpiece, and explores the careers and struggles of the musicians who shaped him and played alongside him.
Using interviews and pictures, studio dialogue and outtakes, the great jazz historian Ashley Kahn follows Miles and his group into the studio, to show precisely how the greatest jazz record of all time was made, how it was introduced to the world, and how it changed music forever. When a legendary ex-cop is murdered in L. Frank Duffy needs his best detective on the case, but his best detective, Ash Levine, quit a year ago. A tenacious, obsessive detective, Ash resigned after Latisha Patton, the witness in a homicide case he was working, was murdered.
Without his job, Ash is left unanchored-and consumed with guilt that he somehow caused Latisha's murder. When he's asked to rejoin the force, Ash reluctantly agrees.
Getting his badge back could give him the chance to find Latisha's killer. Ash dives in headfirst into the shadowlands of Southern California to investigate the ex-cop's murder.
But even when he has a suspect in custody, something about this case doesn't sit right with Ash, and he continues working the increasingly dangerous investigation while quietly chasing leads in Latisha's murder.
Unable to let either case go until he has answers, Ash finds that his obsessive nature, which propels him into a world of private compromises and public corruption, is a flaw that might prove fatal. Ken Clarke needs no introduction. One of the genuine 'Big Beasts' of the political scene, during his forty-six years as the Member of Parliament for Rushcliffe in Nottinghamshire he has been at the very heart of government under three prime ministers.
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